Dory

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It shouldn’t come as a surprise that Finding Dory opened at number one at the box office this week and did enormous business, but the folks at Disney and Pixar must be breathing a sigh of relief. After all, last year’s The Good Dinosaur was the first film to come out of the venerable animation studio that could be considered a legitimate box office disappointment, especially since it came in the wake of the massively successful Inside Out. The massive opening weekend for the sequel to Finding Nemo repositions Pixar in its rightful place on the top of the animated movie food chain.

Like every other Pixar release, Finding Dory opens with a short film. This one is called “Piper”; it’s about a little bird learning to hunt for food among the scary ocean waves. It’s a terrific showcase for Pixar’s latest advancements in computer animation, which in recent years has taken on the qualities of great nature photography. The sunlight sparkles against the water, which ripples and flows with uncanny accuracy, and when the little bird kicks a pile of sand in a crab’s face you can practically count the individual grains.

You’d be forgiven for thinking that Finding Nemo didn’t really need a sequel. It was a completely charming, yet contained adventure, wrapped up pretty neatly. But, it was a very, very successful Pixar movie and, these days, that means sequel. Of the first seven Pixar movies, only Finding Nemo and A Bug’s Life (which has seemed to be almost ret-conned out of existence in the Pixar universe) hadn’t yet had sequels, but that’s about to change next summer as Finding Dory opens in theaters.